The heavier the target, the greater the move's power. Thunder Punch 75 15 10 The target is punched with an electrified fist. Ice Punch 75 15 10 The target is punched with an icy fist. Superpower 5 The user attacks the target with great power. Zen Headbutt 80 90 15 20 The user focuses its willpower to its head and attacks the target. Bind 15 85 20 Things such as long bodies or tentacles are used to bind and squeeze the target for four to five turns. Snore 50 15 30 This attack can be used only if the user is asleep.
The harsh noise may also make the target flinch. Role Play -- -- 10 -- The user mimics the target completely, copying the target's natural Ability. Drain Punch 75 10 -- An energy-draining punch. The user's HP is restored by half the damage taken by the target. Focus Punch 20 -- The user focuses its mind before launching a punch.
This move fails if the user is hit before it is used.
Stomping Tantrum 75 10 -- Driven by frustration, the user attacks the target. Max Att. The power varies, depending on the original move. Supersonic Skystrike -- 1 -- The user soars up with its Z-Power and plummets toward the target at full speed. Tectonic Rage -- 1 -- The user burrows deep into the ground and slams into the target with the full force of its Z-Power. Continental Crush -- 1 -- The user summons a huge rock mountain using its Z-Power and drops it onto the target with full force. Never-Ending Nightmare -- 1 -- Deep-seated grudges summoned by the user's Z-Power trap the target.
Corkscrew Crash -- 1 -- The user spins very fast and rams into the target with the full force of its Z-Power. Gigavolt Havoc -- 1 -- The user hits the target with a powerful electric current collected by its Z-Power. Shattered Psyche -- 1 -- The user controls the target with its Z-Power and hurts the target with full force. Subzero Slammer -- 1 -- The user dramatically drops the temperature using its Z-Power and freezes the target with full force.
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Devastating Drake -- 1 -- The user materializes its aura using its Z-Power and attacks the target with full force. Black Hole Eclipse -- 1 -- The user gathers dark energy using its Z-Power and sucks the target into it. Attack Sp. Name Jp. Navigation Back - Forward - Top. Fluffy : Halves the damage taken from moves that make direct contact, but doubles that of Fire-type moves.
Unlikely Damage Taken. Poni Gauntlet , Hau'oli City. It waves its hands wildly in intimidation and warning. It boasts tremendous physical strength.
Things such as long bodies or tentacles are used to bind and squeeze the target for four to five turns. A physical attack in which the user charges and slams into the target with its whole body. The user endures attacks for two turns, then strikes back to cause double the damage taken.
The user stares at the target with its baby-doll eyes, which lowers its Attack stat. The user swings its body around violently to inflict damage on everything in its vicinity.
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The user flails about aimlessly to attack. The user stores power, then attacks.
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A reckless, full-body charge attack for slamming into the target. The user swings and hits with its strong, heavy fist. The user rampages and attacks for two to three turns. A reckless, life-risking tackle. The user attacks the target with great power. A move that leaves the target badly poisoned. The user tenses its muscles to bulk up its body, raising both its Attack and Defense stats. The target is taunted into a rage that allows it to use only attack moves for three turns. The target is attacked with a powerful beam. Enables the user to evade all attacks.
This full-power attack grows more powerful the less the user likes its Trainer. This full-power attack grows more powerful the more the user likes its Trainer. The user attacks with a swift chop. By moving rapidly, the user makes illusory copies of itself to raise its evasiveness. Boulders are hurled at the target. The user confounds the target with speed, then slashes. This attack move doubles its power if the user is poisoned, burned, or paralyzed.
The user goes to sleep for two turns. If it is the opposite gender of the user, the target becomes infatuated and less likely to attack.
The user makes a swift attack on the target's legs, which lowers the target's Speed stat. The user attacks the target with a song. Stan attempts to drive Ollie home, but is nearly asleep at the wheel thanks to the sedative, and the car careens wildly through the streets in a token comic "reckless driving" sequence of hilarious yet obviously staged traffic chaos From Wikipedia, the free encyclopedia.
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This article includes a list of references , related reading or external links , but its sources remain unclear because it lacks inline citations. Please help to improve this article by introducing more precise citations. March Learn how and when to remove this template message. Laurel and Hardy. Stan Laurel Oliver Hardy. Laurel and Hardy filmography. Films directed by James Parrott. Walker s short films Comedy short films Short comedy film stubs. This breadth of knowledge and abilities, deployed onbehalf of a private person, is a transformation of the divine sponsorship in myth that became akey feature of the American detective tale with Allen Pinkerton and his stories of the "privateeye.
Privately hired omniscience represents a secularization of supernatural power, and Old CapCollier and the pulp heroes mentioned earlier appeared just as the first commercial securityforces were supplementing inefficient, small public police forces.
These detectives were obviously different from Sherlock Holmes or other English detectives ofthe same period; they were also different from Poes Dupin. They saw the world from theperspective of the average citizen, the "man on the street," rather than from an educated,aristocratic one. Most scholars feel that a specific historic development accounts for this tone —the settling of the American West, with the resulting populist traditions.
William Ruehlmann andMarcus Klein have described how this modified the classic archetype and narrative. Hawthorne, Melville, and Jamesmay have characterized American "high culture," but traditions of popular music, popular art,and popular literature took hold among the masses. They alsoshared physical toughness. They could withstand heat and cold, arduous journeys, orsleeplessness. If they were not superior in size, power, or speed, they acquitted themselves well 2. Usually it required a gang to defeat the popular hero in a fight, and no numberwere a verbal match.
The protagonist was usually a detective of the "private eye" variety, orfunctionally similar. He or she used special expertise to restore a loss, which could mean findinga missing object or bringing a murderer to justice.
They did so for little or no money, oftensimply for justice. They met challenges, trials, obstacles, and temporary defeats — werekidnapped, beaten, shot, knifed, snubbed, humiliated, and dismissed as inferiors. It became aritual that the protagonist had to pass out, either from a beating or drugs. The symbolic meaningof this — the heros passage into the underworld — is clear from the classics. Often, in thenarratives of Hammett and sometimes Chandler and Macdonald, the hero has significant dreamsthat relate to the theme. Hard-boiled protagonists who lose consciousness regain it with greaterstrength or clarity or ability, and thereby solve the case.
The hard-boiled hero or heroine alsocarries on the tradition of verbal prowess: he or she can use language against opponents and isconscious of words and their effects. More recently Kathleen Klein, in The Woman Detective: Gender and Genre University ofIllinois Press, has surveyed nearly female detectives and taken up the question ofwhether or not the genre can actually be progressive.
Taking a feminist viewpoint, shedocuments the parallels in social history and the womens rights movement. These are called "the detective code," or simply "the code," when discussing the genre. To summarize, thedetective should be anonymous, eschew publicity, be close-mouthed, and secretive. He or sheprotects good people from bad people, who do not live by the rules; thus, one may break therules in dealing with them. The detective ignores rules and conventions of behavior, because theclient pays for this.
Loyalty to the client is very important, but may be superceded by a personalsense of justice or the rule of law. The detective must keep an emotional distance from thepeople in the case, retain an objective point of view, and consider all pertinent clues. But these set-pieces are already variations on the basic credo above.